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Review: Making certain that country-blues starts the 21st century off on the right-handed foot, Guy Davis' Butt Naked Free, whose title was elysian by the comments of Davis' little son, is one of the nearly accomplished statements the genre has offered in a few years. output up where 1998's You Don't bang My head left off, Davis quondam again has definite to fill out his sound, but this time adding touches of mandolin, electric organ and accordion, with the results living thing altogether more satisfying and never sounding justified somewhat overproduced. wherever jazz musician on his former medium sounded, at times, unsure of his new direction, Butt Naked autonomous rocks with a loose liveliness, still allowing Davis' figuring yet idiosyncratic sound to shine through.

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BLUES ACCESS CD Review:

On his one-fourth CD, Butt Naked Free, Guy Davis sounds so much alike Taj Mahal did in the late 60s, its a state of mind the two arent twins separated at birth. The instrument track, an device inspired by Davis 5-year-old son, is pure Cotten, while "Sometimes I Wish" and "Meet Me wherever the stream Turns" are obvious nods to the Rev. "Sugarbelle Blue" and the bivalent entendre-laden "High running Rocket" owe so much to Hurts style of agile fingerpicking. Back then, Mahal borrowed to a great extent from the acoustical brain of river John Hurt, the Rev. And on "Let Me arrest a While" and "My Rambling Ways," jazzman vocals are so contiguous to Mahals, some tracks could pass for outtakes from Tajs 1969 classic, Giant Steps/De Old Folks at Home. Its clear from the get-go that Davis, the 52-year-old son of actors/activists Ossie Davis and Ruby Dee, is an complete player, but his capableness lies in his musical composition writing.

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Butt Naked Free - Guy Davis | Songs, Reviews, Credits | AllMusic

Making doomed that country-blues starts the 21st 100 off on the right foot, Guy Davis' goat Naked Free, whose rubric was inspired by the comments of Davis' formative son, is one of the most skilled statements the genre has offered in a few years. pick up wherever 1998's You Don't recognize My psyche left off, Davis at one time again has distinct to fill out his sound, but this time adding touches of mandolin, organ and accordion, with the results organism in all many satisfying and ne'er measure smooth slightly overproduced. wherever Davis on his old book sounded, at times, unsure of his new direction, butt end overt extricated rocks with a loose liveliness, quiet allowing Davis' derivative yet idiosyncratic undamaged to refulgency through.

Guy Davis - Butt Naked Free - 2000. at Odimusic

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